Friday, February 3, 2012

Raoul: Prologue

copyright Gabrielle McHaffie, 2012



Telmett Harbor was a buzzing hive of activity in the early morning light. A low fog rolled in from the ocean; but it would dissipate soon enough. Despite the early hour, vendors were already hawking their wares to the quickly gathering crowds. The streets were filled with a plethora of sounds and smells; from the exotic animals that the wealthy often bought to the hundreds of different foods, tools, and trinkets one could buy; the dockside market was like a miniature set of the entire world.
  The woman ran through the city as quickly as she could; clutching the tiny bundle to her thin chest. Her dark brown hair was matted and lank; her grey eyes dull and sunken. Despite her beggared appearance, it was obvious that she would be quite beautiful. She ducked in and out of the crowds of Market Street, sometimes even ducking through open shops; constantly looking over her shoulder as if someone was calling to her. Fatigue was beginning to show on her body; her run was quickly slowing to a stumbling walk when suddenly she froze. Glancing behind; her eyes widened in utter terror. With renewed vigor, she took off running through the maze of people. As she sped around the corner to Spinner’s Street, she tripped, nearly sending her bundle flying. Quickly, she righted herself and ducked into the shadows.
          Leaning against a dirty stone wall, she checked her bundle. A baby, only three days old, turned under his blankets and continued to sleep. She kissed his head and pressed him back to her chest as she checked the streets. When she was sure all was clear, she began once again traversing the city’s dark labyrinth.
          It wasn’t long before she heard footsteps behind her. A dark figure stalked her in the shadows, as it had for many, many days. Hide, she thought, must hide! A set of conveniently stacked crates in a narrow alley offered a reasonable shelter; she ducked in just as the figure rounded the corner. She watched as feet paused outside her hiding place. She crouched there silently, willing the baby not to make a sound. Long minutes had passed when at last the feet disappeared down the street.
          After what seemed like hours of waiting, she emerged, taking the opposite direction of her pursuer. Deeper into the labyrinth she ran, finally coming to Scapegrace Lane. There in the middle of the block stood Saint Amelia’s Home for Orphans. The vagabond knocked on the door tentatively, trying to make herself invisible to those in the street. After what seemed to be , a nun opened the door.
          “Hello, I am Sister Sophia. May I help you?”
          “Please,” the dirty woman gasped, “Please take him,” she pushed the baby into Sophia’s hands.
          “My dear, please come inside,” the nun’s words were resonant, yet kind as she tried to lead the woman through the gate.
          “No…no! I can’t! It isn’t safe!” she jerked herself out of the nun’s grip
          “Mademoiselle, this is an abbey. No harm can come to you here.”
          “No! They’ll find me! Just promise me you’ll take him!” Sister Sophia nodded her consent, cradling the tiny babe in her arms. The woman kissed his forehead once again; then tripped down the stairs preparing to run. “Oh –” she paused, calling the nun’s attention once more. “His name is Raoul.”
          “Wait! What is your name?” Sophia called after the fleeing woman. It was too late –she had disappeared down the street. 

Tuesday, January 24, 2012

The Hospitality Law-Little Mermaid Conjecture

So, this semester, i'm taking eighteen credits. Which, when they're all upper-level courses, is a lot. There's my food production lab with a rather incredibly, uniquely, eccentric chef from South America/France/England. Following him I have a lovely Italian/Brazilian mixture of a professor that reminds me strongly of a certain friend of mine. I also have Purchasing, Mechanical, Law, and Speaker's. I actually find most of them to be extremely enjoyable. Well, except for one, Mechanical, which i only plan on passing because my goal of the semester is a 4.0.

But, in all of my classes thus far this semester, I have yet to have an epiphany such as this:

We were talking about contract law. And, one of the fundamental rules of a contract is that, if a contract is struck between two parties, and one of them is either a) under the age of eighteen; b) mentally incompetent; or c) drunk; the contract is void.

So, that got me thinking...well, actually, I don't know how i got on the subject. But, apparently, the first thing that contract law made me think of was apparently The Little Mermaid. Now, I have a huge, raving vendetta against The Little Mermaid. I actually hate The Little Mermaid for several reasons.

1. Its a violent stereotype on redheads. I mean seriously; the Ginger doesn't even get to be a full human.
2. She has a blatant disregard of respect of her father.
3. Her main sources of counsel are a crustacean and an incorrectly identified fish. He's not a flounder. His eyes aren't on the same side of his body. Come on. Get real.
4. Ok, so the sea witch took away her powers of speech. Has she seriously never heard of, oh, i don't know, WRITING!? I mean how hard is it to write, "Hi Eric. My name is Ariel. I'm the one who rescued you and sang you back to consciousness on the shore after that violent storm that should have killed you. Sorry, my dad sometimes has a temper. His name is Triton, god of the sea. Which would explain why you haven't seen me around -I'm a mermaid. So look, here's the thing - I'm human now because i paid the sea witch Ursula to turn me into a human. In return, she took my voice. Woo! I get to run around on legs like a human! Here's the glitch; I need you to kiss me or else Ursula's magic is undone and I turn back into the chick with a seashell bra and fishy fins. So lay one on me, my good sir, and we can totally get on with this whole relationship/wedding thing. The only downside is that we'll have to cut a totally awesome musical number."

But now, I have a new reason to hate The Little Mermaid. When Ariel signs the contract; she is sixteen years old. Therefore, the contract is voided because she is not a legal adult and cannot make competent decisions. Take that Walt Disney [not really; i have great respect for Walt Disney. i was speaking more to the writers there]

What can i say? Its just the continual ramblings from a Peculiar Heart.

Ginger Weasley

Monday, January 23, 2012

The Buffy the Vampire Slayer Theory

So I realize I jumped on this boat wicked late...like between nine and sixteen years late...but I have a new-found fascination with the show because:

A) I've been into Joss Whedon since the first time I saw Firefly, Serenity, and Dr. Horrible's Sing-Along Blog (Neil Patrick Harris FTW).

B) unlike Twilight, the vampires in Buffy the Vampire Slayer are actual vampires; not sparkly little faeries.

When I first started watching Buffy (like 18 months ago) I got to the part where Angel turned evil and gave up cuz, lets face it, even with a penchant for bad guys (Snape, Dexter, Loki...), I couldn't do the whole "Angel is evil and trying to destroy everything" thing. But, I decided to give it the O'College try.

As I came to the tantamount episode in which Angel reverts back to his old ways, I came upon a grand realization:

Angel turned evil because, after spending the night with Buffy, he experienced a moment of true happiness, thereby breaking the curse set upon him and removing his humanity. Therefore, I have drawn this conclusion:

Don't have pre-marital sex with your boyfriend [girlfriend]. He [she] may turn into a certifiable whack-a-doo maniac bent on his [her] sick and violently twisted, albeit extremely creative revenge.

As I wrap this up, I realize it sounds uber-nerdy on about seven different levels, but hey, that's why I called it a Peculiar Heart.

Ginger Weasley